{"id":8280,"date":"2021-01-07T16:29:46","date_gmt":"2021-01-07T15:29:46","guid":{"rendered":"https:\/\/www.voglinoeditrice.it\/shop\/kyoto-butoh-kan\/"},"modified":"2021-01-07T16:29:46","modified_gmt":"2021-01-07T15:29:46","slug":"kyoto-butoh-kan-2","status":"publish","type":"product","link":"https:\/\/www.voglinoeditrice.it\/en\/shop\/kyoto-butoh-kan-2\/","title":{"rendered":"Kyoto Butoh-kan"},"content":{"rendered":"<p class=\"p11\"><strong>Fabio Massimo Fioravanti<\/strong><\/p>\n<p class=\"p1\"><strong>Kyoto Butoh-kan<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p1\">Photographs and interviews by the author<\/p>\n<p class=\"p1\">Texts by <strong>Katja Centonze<\/strong> and <strong>Maria <\/strong><strong>Pia D&#8217;Orazi<\/strong>(scholars), <strong>Paolo Di Paolo <\/strong>(journalist)<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Trilingual<\/strong> text: <strong>Italian<\/strong> &#8211; <strong>English<\/strong> &#8211; <strong>Japanese<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\">pages <b>224<\/b><\/p>\n<p class=\"p2\">size <b>cm <\/b><b>23&#215;29<\/b>, flexible with flaps<\/p>\n<p>price <b>\u20ac <\/b><b>35,00<\/b><\/p>\n<p class=\"p4\"><strong>Frame<\/strong> Series<\/p>\n<p><strong>ISBN <\/strong>978-88-31946-19-3<\/p>\n<p>&nbsp;<\/p>\n<p class=\"p2\"><strong>Topic<\/strong><\/p>\n<p><em>\u00abIn September 2016, in Ky\u014dto, I knew that a small theatre dedicated entirely to But\u014d dance, of which I was a fan, had recently opened in the city. I asked if it was possible to take photographs &#8230;<\/em> <em>I came to a d\u014dzo &#8211; which has now become the first theatre in the world dedicated to But\u014d&#8217;s performances &#8211; which for centuries has survived the destruction of wars and the fire that often injured Ky\u014dto &#8230; Since then I have photographed and interviewed the three Butohkan dancers:<\/em> <em>Ima Tenko, Yurabe Masami and Fukurozaka Yasuo. Three dancers from different generations but very important artists of this art &#8220;.<br \/>\n<\/em>Thats how the text begins, full of emotions and suggestions between writing (also in English and Japanese) and images. The aim is to highlight the oriental tradition, dance, and the small &#8220;first permanent theatre&#8221; dedicated to this art in Japan: the Kyoto Butoh-kan.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Reader profile<\/strong><\/p>\n<ul>\n<li>\n<p class=\"p2\">passionates about oriental culture<\/p>\n<\/li>\n<li>\n<p class=\"p2\">passionates abot photography<\/p>\n<\/li>\n<li>\n<p class=\"p2\">theatre-dance passionates<\/p>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><strong>Author&#8217;s profile<\/strong><\/p>\n<p><strong>Fabio Massimo Fioravanti<\/strong> (Rome 1955) after graduating in Literature began his career as a professional photographer working with magazines (Italian and Japanese) and publishing houses. He is the author of numerous reports on Japan. He collaborates with artists &#8211; painters, musicians, writers, actors, performers &#8211; on multidisciplinary projects in common and with the JPARC (Japanese Performing Arts Research Consortium). In 2020 he won the International Award of the Cesare Pavese Foundation. He has published various books including: <em>Elegia Siriana \/ A Syrian Elegy<\/em>, CasadeiLibri Editore 2016; <em>La Via del Noh \/ The Way of Noh<\/em>, CasadeiLibri Editore 2014; <em>La vita dei monaci Zen<\/em>, Novale Editions 2011; <em>Per Alberto Moravia: luoghi e ricordi<\/em>, Edizioni Empir\u00eca 2007; <em>Imagine Uzbekistan<\/em>, Edizioni Novale 2006. He is the author of numerous exhibitions &#8211; personal and collective &#8211; in Italy and Japan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"p2\">A poetic journey into the But\u014d dance following the words of its founder Hijikata Tatsumi: &#8220;All the power of civilised morality, hand in hand with the capitalist economic system and its political institutions, is fiercely opposed to the use of the body simply as an end , means and instrument of pleasure. In a production-oriented society, the use of the body without purpose, which I call but\u014d dance, is a mortal enemy that must be taboo &#8220;.<\/p>\n","protected":false},"featured_media":6996,"template":"","meta":{"_monsterinsights_skip_tracking":false},"product_brand":[],"product_cat":[634,633,485],"product_tag":[],"class_list":["post-8280","product","type-product","status-publish","has-post-thumbnail","product_cat-frame-necklance","product_cat-literature-and-photography","product_cat-voglino-editrice-en","first","instock","shipping-taxable","purchasable","product-type-simple"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 5.0.3 - aioseo.com -->\n\t<meta name=\"description\" content=\"A poetic journey into the But\u014d dance following the words of its founder Hijikata Tatsumi.\" \/>\n\t<meta name=\"robots\" content=\"max-image-preview:large\" \/>\n\t<meta name=\"google-site-verification\" content=\"fG-hPWPaHofvxQHe3rx9Si_2X9mkwOjDT8qsg-8ALNM\" \/>\n\t<meta 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